Fight manager takes out an insurance policy on his puny pugilist and then proceeds to try to arrange for an accident so that he can collect.

In this short film, Laurel and Hardy wage battle with inanimate objects, their co-workers, and the laws of physics during a routine work day at a sawmill.

A hapless young man living in New York City rallies to save his girlfriend's grandfather's horse-drawn trolley, the last in the city, from being put out of business by a railroad company.

Country boy joins a circus in the 1840s and falls in love with the bare-back rider. Later he falls in love with another circus runaway.

Members of a municipal band, Stanley and Oliver seem to be always following someone else's lead, rather than that of the temperamental conductor.

Thelma, who came to Hollywood from Joplin to be a star, is ready to go home. She and her pal Patsy are packing up and packing it in. Then, through Patsy's deviousness, Thelma gets a call to come to the studio immediately to audition for a costume drama.

Stan fakes receiving a telegram so he can go to a club with Ollie and a bottle of his unsuspecting wife's liquor, but she overhears his plans.

Stan and Ollie check into a seedy hotel and help a young girl escape the clutches of the landlord. They are forced to flee the hotel with no money and Ollie arranges for Stan to fight at a local boxing hall for $50. Stan's opponent turns out to be Musgy who uses a loaded glove. During the fight the glove is swapped and Stan triumphs only to find that Ollie has bet their fee that he would lose.

Stan Laurel as a harness racing jockey who must win a big race.

Wide Open Spaces is a 1924 Western silent film starring Stan Laurel.

The head of a big movie studio is pulling his hair out because the company is bankrupt unless they can find a writer for a smash comedy. An aspiring writer is awaiting outside the office and the producer agrees to see him. He listens while the writer tells his story and acts the numerous parts. The story is rotten, but the producer lets him escape while vowing vengeance on any other author who would read his story aloud.

While the rest of the gang goes fishing, Spanky gets stuck babysitting.

A would-be songwriter and a would-be inventor run a cigar stand and get mixed up in the murder of a song publisher.

Art Louden, foreman of the Bar H Ranch, is contemptuous of the masculine city flappers and effeminate city sheiks who are vacationing on the ranch, and when reproached by the owner, Bill Hayes, for discourtesy to a guest, Art complains that there are no "she-women" left. Seeing a newspaper photo of Iris Millard, he is attracted by her apparent innocence; then she arrives with her father, and Art is disillusioned to find her as snobbish and as jazzily dressed as the others. His disdain, however, causes Iris to play up to his ideas.

Stan does his best to recover a post-card, which he has forgotten to stamp. He attempts the recovery after hearing a remark by a postal inspector that the absence of the stamp makes the card a criminal offense for the sender. In the course of his struggles he swims through "oceans" of mail, rides up and down chutes, gets tied up in a mail bag and finally finds himself locked in a delivery truck with two thieves.

This film revolves around Election Day, a day on which Jay R. and Joe are fighting to get votes. They warn the kids that they'll be socked in the jaw if they don't vote for them, but the kids are just trying to go about their business, namely Farina. His mother wants him to deliver laundry to her clients, but he can't go anywhere without being harassed by the gang. To escape them, he dons several costumes including that as an older woman, a dancer, and a scarecrow.

The kids from Our Gang have to attend a wedding, and they bring along their flea collection--which gets loose.

Following their initial pairing in early 1927, Laurel and Hardy ended their first year on top. Their success moving into 1928 galvanized the efforts of everyone at Hal Roach Studios (including famed director Leo McCarey), who proudly upped their game in support of the winning comedy duo. Whether wreaking accidental havoc as a two-man band, doing battle against one another as millionaire and butler, or even becoming grave robbers for a mad scientist, Laurel and Hardy prove in their second year that they have what it takes to not only win over audiences in the twilight of the silent era, but generate enough momentum to make a successful transition to “talkies” in 1929.

The Gang plays hooky from school so they can listen to the tall tales of a friendly sea captain.

The Hey Fellas gang builds a firehouse out of junkyard parts.