
Rhoma Irama and his Soneta Group visit various regions to preach religion. He receives both warm welcomes and accusations of commercialising religion. This challenge becomes Rhoma’s struggle. He tries to persuade his fellow professionals to avoid drinking and women. He also manages to help his future father-in-law who almost rapes Laila, his own daughter, in a drunken state. Despite opposition from the Al Muthainah college, Rhoma manages to convince them that music can be used as a means of preaching. Rhoma sings no less than seven preachy dangdut songs in this film.
Directed by Maman Firmansyah, Perjuangan dan Doa leans on a strong ensemble — Rhoma Irama, Ricca Rachim, Chitra Dewi — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1980.
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