
The action is set in Naples, opening a door onto an imagined maritime world stretching towards the Orient. Faced with two authoritarian fathers, two sons, both of whom are thwarted lovers, turn to the crafty Scapin, who is driven by a mad desire for revenge. The character is a double of Scaramouche, the Italian actor of the adventurous life whom Molière admired: “to tell you the truth, there are few things that are impossible for me, when I put my mind to them” declares the buffoonish servant whose name, as Denis Podalydès points out, derives his from the Italian scappare which means “to escape”, “to scamper off”. Scapin is beaten with a stick at one point but also gets his own back and, against a background of ransom demands and paternal contradictions, he comes up with an avalanche of stratagems and other tricks, which Molière excels in depicting.
Directed by Denis Podalydès, Les Fourberies de Scapin leans on a strong ensemble — Gilles David, Bakary Sangaré, Benjamin Lavernhe — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 2017.
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