At the Comédie-Française, there is one golden rule: the play is never canceled. Unfortunately for Nina, everything else is—just three hours before the premiere of her first staging. An actor is stuck on a train, tensions explode, equipment breaks down, egos clash, and panic sets in. With no way out and time slipping away, Nina must hold the show together at all costs. Will she make it until the curtain rises?

Meet Adrien! He's 35. He's stuck in a mid-life crisis. He's neurotic and hypochondriac. Tonight he's stuck in an endless family dinner and his girlfriend is not answering his texts. On top of that, his dumb brother-in-law asks him to prepare a speech for his wedding. Could it get even worse?

"The king, the squirrel and the grass snake" is a two‑part French historical drama set in 17th‑century Paris, following the intense rivalry between Nicolas Fouquet, the brilliant and flamboyant Superintendent of Finances, and Jean‑Baptiste Colbert, the calculating administrator determined to bring him down. As Fouquet rises in power, wealth, and prestige—building the magnificent château of Vaux‑le‑Vicomte and securing Mazarin’s favor—his influence begins to alarm the young Louis XIV. Colbert seizes the opportunity to undermine his rival, weaving a political trap that will reshape the future of the kingdom. Through court intrigues, shifting alliances, and the growing authority of the Sun King, the film portrays the fall of a man who shone too brightly and the birth of absolute monarchy in France.

A look at the life of French designer Yves Saint Laurent from the beginning of his career in 1958 when he met his lover and business partner, Pierre Berge.

In the peaceful world of Little Nicholas, there is Daddy, Mommy, the school, but above all, his band of friends. They are called The Invincibles, but above all they are inseparable. At least they think so. But when Dad gets a promotion and announces that the family is moving to the south of France, Nicolas' world falls apart. How can he imagine life without his best friends?

The true story of a nun who betrayed a network of Resistance fighters after having a passionate but doomed love affair with a priest during the Second World War.

Camille was only sixteen and still in high school when she fell in love with Eric, another student. They later married and a child and were happy for a while. But now twenty-five years have passed and Eric leaves her for a younger woman. Bitter and desperate Camille drinks so much liquor at a New Year Eve's party that she falls into an ethylic coma and she finds herself... propelled into her own past! Camille is sixteen again when she wakes up this morning, her parents are not dead anymore and she must go to school, where she will meet her schoolmates and, of course, Eric. Is she going to fall for him again and... be miserable twenty-five years later? Or will she avoid him with the result never having her beloved daughter? Who ever said that time traveling was fun?

The Forest is both a vibrantly spontaneous and brutally funny family drama, and a glorious tribute to acting and theater - in other words, an Arnaud Desplechin film. With Michel Vuillermoz and Denis Podalydès as the nephew and his friend, Adeline D’Hermy as the niece, and Martine Chevallier in a stunning performance as the sublimely selfish aunt Raissa.

No synopsis available yet.

In July 1942, during the Vel’ d’Hiv’ Roundup of Jewish families in Paris, 13 year old Tauba Birenbaum and her parents, who are Polish Jews, find refuge in a tiny room for the next 765 days. Living conditions are tough and they fear being discovered at any moment. But while her parents sink further into despair, Tauba’s fighting spirit shines through. She finds joy in every little thing, from a piano drawn on the floor, to the views of Paris through an open window. Despite extreme circumstances, she will keep hope until the liberation of Paris, and take back control of her life.

Maya is an apprentice in a welding workshop. She likes her boss, maybe a little too much. The day she gets hurt, she keeps quiet to preserve the business. But when she discovers that she is being manipulated, Maya decides to take justice into her own hands…

A wannabe actress follows her dreams and moves to Paris.

Le Petit-Maître corrigé is a three-act romantic comedy by French playwright Marivaux. It was first performed on November 6, 1734, by the Comédie-Française in Paris. In this production Clément Hervieu-Léger makes the eighteenth century resonate with our era, all the more so given that the language is “simpler than in other Marivaux plays, while still as refined, precise and full of humour”. The story is that of a young Parisian whose parents have found a good match for him, a count’s daughter. But when he goes to visit her in her country home, the handsome boy – whose Parisian manners are far removed from the rules of decorum that reign in the provinces – cannot open his heart to his lovely intended. Stung, the latter decides to punish his arrogance while a former lover arrives to prevent the marriage. Between the alliance of master and manservant, and the complicity of mistress and maid, a romantic intrigue ensues full of light-hearted conspiracies and feverish emotions.

No synopsis available yet.

For her first production, Marina Hands chose "Six Characters in Search of an Author," a play by Luigi Pirandello that premiered in Rome in 1921. A team rehearsing is interrupted by six characters in search of an author willing to write their story, which has gone from drama to drama. Luigi Pirandello had the brilliant idea of doubling the conflictual relationships within this dysfunctional family with another type of dispute: the characters rebel against the false truth of the actors and actresses playing out their story. Filmed at the Théâtre du Vieux-Colombier in Paris's 6th arrondissement.

A young hopeful of cinema and his entourage spend a holiday by a lake. It may finally be the last night of patriarchy.

No synopsis available yet.

The action is set in Naples, opening a door onto an imagined maritime world stretching towards the Orient. Faced with two authoritarian fathers, two sons, both of whom are thwarted lovers, turn to the crafty Scapin, who is driven by a mad desire for revenge. The character is a double of Scaramouche, the Italian actor of the adventurous life whom Molière admired: “to tell you the truth, there are few things that are impossible for me, when I put my mind to them” declares the buffoonish servant whose name, as Denis Podalydès points out, derives his from the Italian scappare which means “to escape”, “to scamper off”. Scapin is beaten with a stick at one point but also gets his own back and, against a background of ransom demands and paternal contradictions, he comes up with an avalanche of stratagems and other tricks, which Molière excels in depicting.

Alix is a woman of 27 looking for the only thing she is incapable of: love.

No synopsis available yet.