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This is the story of the politician named Zübük. He gets expelled from the political party that he is a member of, due to corruption. The journalist Yaşar wants to make a news story about his case and investigates Zübük's doings. Yaşar gets baffled at the sly tricks Zübük played on his village people. In the end, he feels sorry about Zübük's present situation, however, as things happen he becomes aware that Zübük has been tricking him.

Newly divorced Nilgün, a doctor from Istanbul, is sent to a remote small town to practice; where she meets up with long lost friend Havva while treating local prostitutes.

Hilmi Tok is a billionaire businessman. He dies one day while driving his own car. His real estate assets goes his son Bayram.

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Married couple move to a new house. Thanks to this new house they climb the social ladder. At the same time troubles are started.

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A dwarf and a transvestite, both are excluded from the society and doomed to exist at night. Their lives overlap in a strange encounter and this becomes the start of their friendship.

Burhan works as a driver at the factory where his father works. He is also preparing to marry Zehra, one of the factory workers. Zehra's brother Hüsnü and the factory accountant Namık hatch a plan to rob the factory. They decide to rob the factory's treasurer. They agree with two more workers from the factory to help them. During the robbery, something goes wrong. Hüsnü kills the treasurer and one of the workers and escapes. Nazif Usta, who was at the factory at the time, is arrested at the scene and sentenced to death in court. However, Burhan will try to find the culprits to save his father.

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Laborers of the film industry have decided to march against the new censorship act in 1977. 60 years of silence in cinema was going to be interrupted for good. From actor/actresses to set workers, 400 women and men have started a 5-day-long walk to Ankara. A walk that was conceived with supportive but surprised looks of the public. The documentary tries to picture this forgotten but historical event in the light of the 100th year of cinema.

The film tells the story of two old friends, Ahmet and Kemal, who work together to solve a murder. Ahmet, nicknamed "Baba," makes a living as an accountant. His son Ali, who works as a laborer at the same factory, is a union member. The factory manager pressures Ahmet to convince his son to leave the union. During a strike that breaks out at the factory, Ali is killed. Ahmet seeks help from Kemal, a businessman and his army buddy, to find his son's killer. Throughout this process, both Kemal and Ahmet begin to question their own lives.

This is one of the tragicomic films of Kemal Sunal who is most "serious-comic" artist of the Turkish cinema. This film also reflects socio-economic and cultural life of the 70's-80's Turkiye. The film obviously talk to Turkish audience but who wonder that era of Turkiye can taste of it. The film underlines of love, friendship and -richness in the poorness- and also is a story about the people who prefers love, instead of money and fortune. The theme and narration may include some populist elements -like most Kemal Sunal films- but generally tells its story as well. The story is familiar to Turkish audience: A young man loves young girl. In most Turkish love films one of the partners is rich or poor according to the other but in this movie both sides are poor and they have many difficulties to reach happy end. In my opinion, these kind of movies always gives hope to people to get over it.

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No synopsis available yet.

A blind panhandler girl as an idealist dreamer joins three cronies in a supper, after which the cronies decide to rob a rich man's villa to collect enough money for her to recover from blindness. But they'd never guessed what would happen when her eyes see the daylight.

The plot of Death Curtain is incredibly interesting. According to the film, communists are about to blow up Istanbul with a secret bomb hidden in a curtain, but Murat Davman saves Turkey from this disaster. In the film, the leader of the communists is a woman named Leyla Sayar, while the leader of the Turkish police is another woman, Muallâ Kaynak. Murat Davman, meanwhile, is busy dealing with the bomb while also managing to keep up with both women thanks to his "little" flirtations.

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Kazım earns his living by fishing and selling books on the street. The lonely life he has been leading for many years in his small hut, has made him despise all humans and himself. But a new encounter reminds him that he is human again.