Three stories of moral sickness set during Japan’s prosperous Genroku era are told in this bloody follow-up to the sexploitation classic Shogun’s Joy of Torture, the politically incorrect moral lessons paint a trio of tales of tragic heroines caught up in violence, sadomasochism, incest and torture.

Satake Shoji had been a trapeze artist in the Ezaki Circus, but when Shingo, his team mate, slipped and fell to his death, he had felt responsible and, sick at heart, left the circus for a life at sea. On land again Shoji goes to a cabaret where he is soon involved in a brawl. Kasamatsu, the owner of the cabaret, impressed by Shoji's strength, offers him a job as his bodyguard. The next morning Shoji visits Shingo's grave and meets Miyako, Shingo's former sweetheart, who is still a trapeze performer and now the star of the Kuroko Circus which Shoji realizes Kasamatsu intends to control.

A Japanese woman is raped by her boyfriend day in day out.

Tonomura has a singular taste in women. He likes them, but he wants them tattooed. To this end, young Osayo has herself decorated with a celebrated flying-angel pattern and in this way brings much pleasure to her patron. A young hoodlum named Shinnosuke also covets the tattooed maiden. He, decorated with the design of a famous thief, finally gets to her and she responds as she rarely does with her older lover. Also in love with her is a young girl named Okimi who has herself tattooed with a courtesan design just to please the older woman. Having done so, however, she becomes fair prey to the tattoo-loving Tonomura who loses no time in seducing her.

A look at the lives of a troupe of geishas working in a small seaside resort town. For the most part, their lives consist of greeting boatloads of oversexed businessmen and providing bawdy entertainment through the evening followed by private companionship at night, interspersed with occasional catfights with the rival geisha house. Their routine is suddenly thrown off by the appearance of an abandoned baby in the geishas' dormitory, followed by its disappearance only a short time later. Who could be responsible for such a thing?

Two sisters involved in rival underworld sex trade factions compete against each other in this tale of elaborate sex antics, yakuza crime, and bloody revenge.

Sawaki is released from prison after serving eight years for murdering a rival gang leader in order to obtain the land rights to a landfill for the Kotaki clan and he discovers that the world has changed significantly in that time. The police have forced the disbanding of all yakuza groups in and around Tokyo and most of the former yakuza have moved on to legitimate jobs. Sawaki is disgusted that his yakuza brothers have abandoned their codes of honor and are abusing their newfound power in the legitimate business world to exploit the poor. Sawaki feels partly responsible for making them so powerful and enabling their corruption, so he decides to follow his traditional code of honor to save the residents of a small town where his former lover lives.

Okatsu the Fugitive is the third film in the "Ohyaku/Okatsu" series. Okatsu; a "tomboy" who is good with a sword. Her father has found her a man to marry and actually she doesn't seem too upset about the situation. At the same time, a bunch of farmers are being slaughtered by a corrupt group running a tobacco smuggling ring. They're being investigated by a man who is documenting their crimes and when they find out about it, they torture him for information but get none. It's not long before he and Okatsu's mother wind up dead and she sets out for revenge.

No synopsis available yet.

A story of friendship between a lone wolf judo expert and a youth.

A young man suspects his father's suicide was actually a murder committed by gangsters. Using his expertise in martial arts, he gets himself hired by the gangsters who he suspects are responsible for his father's death.

No synopsis available yet.

A fairly entertaining yarn told in somewhat broad strokes with Wakayama playing against type as a reformed-gambler-turned- Christian minister. Of course, before the tale is finished he is forced by the utterly nefarious, heinous villains to once again pick up a sword and join fellow anti-hero Sugawara in wiping out Evil.

The first in the Ginza Whirlwind Child series. A poignant action giant depicting the activities of Mait Guy Akira, who calls people to Ginza Boring Man, popular and longing everywhere, and who is on the side of justice of the divine ghost.

1962 Japanese movie

1961 Japanese movie

The second installment in the crime reporter series, this is a full-fledged crime reporter film depicting a scoop battle among crime reporters surrounding a mysterious murder and an unlicensed blood sampling service operating in the shadows of Greater Tokyo.

Based on the original work of Yasunori Kawauchi of "Moonlight Mask", this is the second in the "Ginza Whirlwind Child (Mitsutogai)" series in which Asahi Kobayashi plays an active role in the death of a divine ghost in a skillful disguise. Takuya Nikaido appears in Kobe and approaches the mystery of the fake bill case.

An airplane loaded with 50 million yen for the reconstruction of Amami Oshima crashes en route from Kagoshima, Kyushu, but neither the money nor the remains of the pilot can be found.

1962 Japanese movie