Portrait of a rebel expat Estonian filmmaker Vladimir Karasjov-Orgusaar.

Based on Jaan Anvelt's novel "Outlaws" which deals with the struggle of the Estonian Communist Workers' Movement and the life of revolutionaries in the Republic of Estonia in the 1920s. The film represents the maturation and decay of human soul in tense situations. The dark intersections and the dense, abandoned areas create a tumultuous tension field in which the characters find themselves. Their choices and decisions overwhelm them in one way or another. Where is the way out?

There are three children growing at Tammaru farm - one boy, Margus; and two orphan girls, Mari and Tiina. Margus' parents want him to marry Mari instead of Tiina as she is more their kind. Hotblooded Tiina is completely different from them and her mother was once executed for being a witch. Thinking that Tiina has bewitched Margus, Mari starts to publicly accuse her stepsister of being a werewolf.

Teenager Juulius loses his mother and goes to live with Taavi, a wise fisherman. Juulius gets to know the daily life in the fisherman's village, falls in love for the first time, and realizes the complexity of the relationships between those of older generation. While leaving for a stormy sea of life from the village he has still some hope in order to come back to his love and his home port.

A teenage girl has problems with her family and life when her little brother is born with a heart problem.

A housewife confronts situations to which no sane response exists... “Madwomen: To Be a Sparrow Not a Canary” is an experimental found footage melodrama composed entirely out of film footage shot in Soviet Estonia from 1960 until 1969. An experimental collage creating an alternative narrative to the storylines in the animations, documentaries and feature films of that time period.