Marthe, an aging queen of the night, roams the streets of a city haunted by the presence of an invisible murderer in search of money to pay a large gambling debt.

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The full title of this Dutch film is Pervola: Tracks in the Snow. A stockbroker moves away from his home village of Pervola and puts his two sons in charge of his business. Older brother Hein (Bram van der Vlugt) cheats younger brother Simon (Gerard Thoolen) out of his share, claiming that Simon was disinherited because he is homosexual. Hein grows powerful, while Simon seems to weaken with each passing day. Flash-forward several years: the dying stockbroker calls his sons to his side. Faithful Simon agrees to dad's wishes that he be buried in Pervola, but Hein doesn't want to go to the trouble of transporting the body; he finally agrees to help Simon, out of fear that his brother will learn of his long-ago treachery. While arduously journeying to Pervola with the father's body strapped to a sled, Hein inadvertently confesses; Simon, however, is of strong enough moral fibre to forgive his brother.

Prostitute Dolly co-finances the purchase of a Vermeer painting with art expert Eddy Cremer. When they find out the painting is fake, she returns to the red light district, where conditions have worsened over time.

After an argument and fight with a wealthy one night stand in a posh hotel, young hustler Chris finds himself trapped inside. With nowhere to go and the cops closing in on the hotel fast, he wanders into "Suite 16" in a fit of despair. Inside, a handicapped and wheelchair bound Glover is held captive for the evening once discovered by Chris. However, things change the next day when Glover informs Chris that the woman he slept with is now dead; and that he surely will be sought out for her murder. Lonely and bored, Glover offers to shelter Chris for awhile while the cuts and bruises from the previous nights escapades have time to heal.

At 45, divorced, unemployed and father of two children, Franois Morot realizes that he can no longer support the society in which he lives and decides to leave everything.

Belgium, 1980. On the banks of the Meuse river, against the background of a steel-producing city, factories close down one after another and lay off workers. One of those made redundant is Fabrice, who, at thirty-five, is proud of his trade, and now feels he has become useless. His wife, Céline, tries to renew his interest in life, but Fabrice remains trapped in his depression, and then one day he disappears...

Michel, reporter, finally joins his old isolated cottage in the middle of a park, having spent two years away from home. Our protagonist hopes to regain some serenity, but he does not arrive at the best moment: he did not expect the suicide attempt of Catherine, the wife of his brother Arthur