Film about a woman's struggle in a male-dominated society in the late 1800s. Amalie Skram was one of our first female writers who fought woman liberation cause. In a society that did not accept that a woman could have its own independent work, it was difficult for a woman to work as a creative artist, wife and mother. The author's autobiographical novels "Professor Hieronimus" and "On St. Jorgen" underlies this film.

A group of migratory rail road workers arrive in a small town in Norway, and cause social conflict. One of the men, Sjugur, stands apart as a strong, independent man. The girls like him, but he has set his sights on the daughter of a wealthy landowner.

We are in NRK’s Nine O’Clock News studio at Marienlyst. As usual, Kjell Tue is at the microphone, and in the control room, Totto Osvold is at the helm. Bank manager Hugo Oswald is to be interviewed live, but suddenly collapses dead in the studio, poisoned in front of an open microphone. Police detectives Helmer and Sigurdson are assigned to the case. Pensioner Brockmann, the murdered bank manager’s neighbour, also becomes heavily involved in the investigation.

The film marked the debut of cartoonist and illustrator Christopher Nielsen as an animator. This is a crude cartoon with period humour depicting Oslo's East youth hanging around the Narvesen kiosks - hence the name 'Narver'.

A gnome named Gurin wakes up with a foxtail as punishment for his practical jokes.

In a quiet, old apartment just days before Christmas, Borghild, suffering from dementia, confuses night for day. She embarks on a journey of confusion and terror, re-living memories she wished remained forgotten.

Nora Helmer has years earlier committed a forgery in order to save the life of her authoritarian husband Torvald. Now she is being blackmailed lives in fear of her husband's finding out and of the shame such a revelation would bring to his career. But when the truth comes out, Nora is shocked to learn where she really stands in her husband's esteem.

A young boy lives alone in a small room in a block of flats, with a phone ringing constantly, without anyone at the other end. He runs away, soon to follow everyone telling him to, until he gets involved in a search for a missing girl.

70 years after Det Norske Teatret first staged Peer Gynt, Erik Ulfsby and his excellent team have developed a new version, with the role of old Peer congenially filled by Toralv Maurstad. The play’s original chronology has been broken up and fragments of Peer’s life reordered – all observed by an aged spirit who is on the threshold to the other side. Maurstad’s acting is “overwhelmingly great. He carries the role of Peer Gynt on his 92-year-old shoulders. This is pure theatrical magic.”

Two men discover that they have a close relationship with the same woman. They both love her. Without saying anything to the woman that they know about the other, they both try to win her over.