Captain Justin Mollenard works for a company that sells armaments to the Far East. After an eventful stay in Shanghai, where he and his cargo are the victim of a malicious attack, he returns to his hometown of Dunkirk. Mollenard receives a frosty welcome from his wife Mathilde, who resents the way in which he has neglected his family for so many years. Mollenard’s only wish is to get back to sea as soon as he can, but a sudden heart-attack leaves him paralysed and entirely in his wife’s power...

After a deadbeat patron at his restaurant gets special care from the cops who think the man has amnesia, the maitre d'hotel decides to pretend he too has amnesia. He is claimed in turn by an aristocrat family and by trapeze artists.

The young and patriotic student Demachy joins the French army in 1914 to defend his country. But he and his comrades soon experience the terrifying, endless trench war in Champagne, where more and more wooden crosses have to be erected for this cannon fodder.

"L'Occident" presents a story of the reaction of East and West in contact. It is based on a novel of Henry Kistemaeckers, produced for the screen by M. Henri Fescourt. The story is of the love of Hassina, daughter of a Moroccan chief, and Lieutenant Cadière, who lands from his ship to get information for the fleet about the position of an army of rebel tribesmen.

At the end of the 15th century, a man and a woman, posing as traveling minstrels, are sent by the Devil to a castle to seduce its inhabitants.

At the beginning of World War I in a village in the country of La Marne, two families are against the marriage of their children. The war changes the positions.

A famous convict Jacques Collin, alias Trompe la mort, or abbot Carlos Herrera, also called Vautrin, escapes from prison. Chance makes him meet Lucien de Rubempré, an impetuous and eternal lover who, when he is dismissed, collapses. Moved by this fragility, he takes him under his wing, and will do everything possible to ensure that his creature reaches happiness, even if it means imagining the worst shenanigans and other scams, with the help of a band of clever villains.

Also known as Lilac, this early Anatole Litvak-directed talkie was based on a play by Tristan Bernard and Charles Henry Hirsch. The story bears traces of the Bertold Brecht-Weill piece The Threepenny Opera, with heroine Lilac (Marcelle Romeo) consorting with the criminal scum of Paris. Lilac falls in love with a handsome detective (Andre Luguet), but he doesn't let his emotions stand in the way of his duty, and in the end he reluctantly turns her over to the authorities. At $120,000, Coeur de Lilas was one of the most expensive movies to come out of France in 1931, but it more than made back its cost at the box-office.

Alex Grégoire is a timid insurance company clerk who shares his uneventful life between his wife Angèle, his colleagues and his passion for crosswords. But all of a sudden his existence changes dramatically. First because he wins a crossword competition. Second because a jewel thief, Charles Tuffal, thinks he recognizes in him a former accomplice. From that moment "uneventful" is not the best adjective to qualify Alex's life anymore...

Maurice loves Juliet and Michael loves Lily. Romance blossoms on the hill. They are workers, artisans, and Lily has a real talent as a singer. But Claude's arrival brings trouble to their relationships. Maurice, jealous, approaches Lily. Singing in the streets, Lily quickly becomes a cabaret star.

An old woman living in an inn is killed and her family members seem like the likely culprits.

In the middle of the 19th century, Tsar Alexander II made the acquaintance of a young aristocratic girl from the provinces, unruly in character. He falls in love with her and tries to see her again.

A small town postal official allows a military officer to sweep his lovely daughter away to St. Petersburg, assuming the man will do the right thing and marry her.Instead, a future of scandal and tragedy awaits her.

An Arabian prince falls in with a group of downtrodden rebels and faces the wrath of an unsympathetic sultan whose wife he is also romancing.

Guitry reprises his role as Pasteur which he played successfully at the Vaudeville Theatre in 1919.

Lucien Bourrache, a good looking non-commissioned officer at the Spahis, is used to charm many women. He met Madeleine Courtois at Cannes. She is beautiful and lives in luxury. He lends her a large amount of money, which she loses gambling. Then she drops him. But Lucien is now in love, and once demobilized, he goes to Paris to find her again. But he's not so sexy without his uniform, and Madeleine and him do not belong to the same milieu.

Middle-aged Georges of the "old school" who offers shelter and comfort to Marcelle. Despite his own reservations, Georges falls in love with the much-younger girl, remaining faithful to her even after he realizes that she cares only for his money.

The film depicts events between the Fashoda crisis in 1898 and the 1904 signing of the Entente Cordiale creating an alliance between Britain and France and ending their historic rivalry. It was based on the book King Edward VII and His Times by André Maurois. It was made with an eye to its propaganda value, following the Munich Agreement of September 1938 and in anticipation of the outbreak of a Second World War which would test the bonds between Britain and France in a conflict with Nazi Germany.

The struggles of a small business owner come to light in this film by director André Cayatte. The proprietor of a fabric shop, M. Baudu faces stiff competition when a department store moves in across the street, the first of its kind in 1860s Paris. On top of the stresses associated with the rival retailer, Baudu’s niece and two nephews take up residence with him after recently being orphaned. The niece, Denise Baudu, sees the writing on the wall for her uncle’s business so she takes a job as a shop girl with his competitor and despite her success the decision does not register well with the family.

A former colonial official lives far from Paris with a dry cousin who pays attention to his heritage. He never took care of his son, married to a singer, even less of his granddaughter Colette. The chances of life mean that the grandfather is obliged to take in Colette for a while. This works wonders, unmasks the cousin conniving with cronies, unravels the intrigues, thwarts the machinations and reconciles all the members of the family.