No Hiding Place is a British television series that was produced at Wembley Studios by Associated-Rediffusion for the ITV network between 16 September 1959 and 22 June 1967. It was the sequel to the series Murder Bag and Crime Sheet, all starring Raymond Francis as Detective Superintendent, later Detective Chief Superintendent Tom Lockhart.

In postwar Vienna, Austria, Holly Martins, a writer of pulp Westerns, arrives penniless as a guest of his childhood chum Harry Lime, only to learn he has died. Martins develops a conspiracy theory after learning of a "third man" present at the time of Harry's death, running into interference from British officer Major Calloway, and falling head-over-heels for Harry's grief-stricken lover, Anna.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

Allied agents infiltrate the Nazi rocket complex at Peenemunde in order to obtain their secrets and sabotage the plant. The film alternates between German developments of the V-1 missile and V-2 rocket (with a German cast speaking their own language) and discovery by British Intelligence of the weapon.

The series adapted for television some true tales from press correspondents from around the world.

Set in German-occupied Norway, resistance fighter Knut Straud enlists the reluctant physicist Rolf Pedersen in an effort to destroy the German heavy water production plant in rural Telemark.

The story of the breakout of the German battleship Bismarck—accompanied by the heavy cruiser Prinz Eugen—during the early days of World War II. The Bismarck and her sister ship, Tirpitz, were the most powerful battleships in the European theater of World War II. The British Navy must find and destroy Bismarck before it can escape into the convoy lanes to inflict severe damage on the cargo shipping which was the lifeblood of the British Isles. With eight 15 inch guns, it was capable of destroying every ship in a convoy while remaining beyond the range of all Royal Navy warships.

Russian exiles in Paris plot to collect ten million pounds from the Bank of England by grooming a destitute, suicidal girl to pose as heir to the Russian throne. While Bounin is coaching her, he comes to believe that she is really Anastasia. In the end, the Empress must decide her claim.

Jim Wormold is an expatriate Englishman living in pre-revolutionary Havana with his teenage daughter Milly. He owns a vacuum cleaner shop but isn’t very successful so he accepts an offer from Hawthorne of the British Secret Service to recruit a network of agents in Cuba.

James Stewart plays aeronautical engineer Theodore Honey, the quintessential absent-minded professor: eccentric, forgetful, but brilliant. His studies show that the aircraft being manufactured by his employer has a subtle but deadly design flaw that manifests itself only after the aircraft has flown a certain number of hours. En route to a crash site to prove his theory, Honey discovers that he is aboard a plane rapidly approaching his predicted deadline.

A nightclub singer enlists her brother-in-law to track down her husband's killer.

The delightful Johann Strauss comic opera Die Fledermaus was mercilessly lampooned in this truly bizarre production. For starters, a framing device has been added: After appearing in 300 consecutive appearances of Fledermaus (which translates as The Bat) the lead tenor (Georg Alexander) imagines that he's seeing bats everywhere. Driven a bit over the edge by all this, he falls asleep and has a nightmare about the opera, with a group of non-singers cast in the leading roles. The original libretto about romantic assignations, political imprisonments and mistaken identity is burlesqued to the hilt: at one point, the hero finds out that his prison cell is surrounded by rubber tubes!

Phillipe, the son of an ambassador in London, hero-worships his father's butler Baines. His perception of the man changes when he accidentally discovers the secret that Baines keeps and witnesses the consequences that adults' lies can cause.

An American reporter falls in love with a Russian ballet dancer.

While working in England, an American surgeon Dr. John Marlowe is invited to Vosnia (a fictitious East-European country) to receive an award and demonstrate his life-saving surgery. Unwittingly caught in the middle of a dangerous and corrupt series of political events, Marlowe then becomes the object of a shoot-to-kill, vicious pursuit. Fleeing, he seeks help from an English-speaking actress, Lisa Robinson, and the two attempt to escape across the treacherous mountains of Vosnia.

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An evil hyponotist/ventriloquist plots to gain an heiress' millions.

During WW2, German ships are "safely" docked upriver at Bordeaux, but the British send a team of kayakers to attack them.

Werner von Basil, a Austrian intellectual, was captured by the Nazis in 1938. They want to break him to confess smuggling. Without any mental sustenance, the only thing left to keep his mind busy is an old tactics book for chess.

Armchair Theatre is a British television drama anthology series of single plays that ran on the ITV network from 1956 to 1974. It was originally produced by Associated British Corporation, and later by Thames Television from mid-1968.