










The delightful Johann Strauss comic opera Die Fledermaus was mercilessly lampooned in this truly bizarre production. For starters, a framing device has been added: After appearing in 300 consecutive appearances of Fledermaus (which translates as The Bat) the lead tenor (Georg Alexander) imagines that he's seeing bats everywhere. Driven a bit over the edge by all this, he falls asleep and has a nightmare about the opera, with a group of non-singers cast in the leading roles. The original libretto about romantic assignations, political imprisonments and mistaken identity is burlesqued to the hilt: at one point, the hero finds out that his prison cell is surrounded by rubber tubes!
Directed by Paul Verhoeven, Hans H. Zerlett, The Bat leans on a strong ensemble — Lída Baarová, Hans Söhnker, Friedl Czepa — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1937.
Read More on the Blog
Loading reviews…
Hired to helm an Americanized take on a British play, director Lloyd Fellowes does his best to control an eccentric group of stage actors. With a star actress quickly passing her prime, a male lead with no confidence, and a bit actor that's rarely sober, chaos ensues in the lead up to a Broadway premiere.
Get weekly picks and blog posts in your inbox.
Live availability isn't tracked for this title yet — try these popular platforms: