The simultaneously filmed French language version of the 1930 German film The Other. A psychological drama based on the popular Jekyll and Hyde theme involving a strict legal official.

Philippe and Sylvie have to do with Alvarez, a dangerous gang leader. They break up with him and commit robbery and murder. Sylvie suggests that Philippe take refuge in his quiet family. His younger sister Antoinette attracts and charms Philippe and excites the jealousy of Sylvie who informs Alvarez. The police get involved and Philippe is killed during a merciless fight.

During a transvestite ball, a young provincial meets Fanny Legrand. A great love is born between them. Later, the young man learns that Fanny was a great coquette. He leaves her, he comes back, he forgives. But when he embarks for America, Fanny does not follow him.

French-language version of Port Arthur (1936), a German language film (q.v.) co-produced by German, French and Czechoslovakian film interests. About espionage, action and romance in the Russo-Japanese War, as the conflict threatens Russian naval officer Boris Ranewsky and his Japanese wife Youki.

In 1917, in a small village in the North, Abbe Gaillard is suspected by the Germans of facilitating the escape of French and Belgian soldiers. A false alibi makes him innocent and he can thus continue his mission, thanks to the devotion of an Alsatian who, in enemy uniform, obscurely serves his country.

In 1866, a young Muscovite named Alexei Ivanovitch arrives in Baden Baden, then the gambling capital of Austria, and is soon engaged by General Zagorianski to look after his children. Alexei discovers that his employer is a compulsive gambler who has been almost ruined by his addiction. The only money the General has is provided by the Marquis de Grieux, an adventurer who intends to marry Zagorianski’s sister, Pauline. In doing so, de Grieux hopes to profit from the vast inheritance that will come the General’s way from his Aunt Antonina, who is presently very ill. Alexei is appalled by this society which lives only for money. He loves Pauline and wants to take her to a healthier place, but when she refuses to marry him, he begins to gamble at the casino…

In Central Europe, an organization of counterfeiters is headed by Burcq. An Air France pilot introduces an intelligence agent to the principality. A woman, Helene, betrays them first, then in love with Francois, the pilot, helps the two friends to escape.

Géo Paquet, aka The Gorilla, breaks from jail. Now an escaped convict, the elite agent must infiltrate a dangerous gang working for a foreign embassy as their leader, a spy enjoying diplomatic immunity, can't be arrested by regular police.

Old friends of Vera Vronsky remind her of her past and try to blackmail her.

Also known as Lilac, this early Anatole Litvak-directed talkie was based on a play by Tristan Bernard and Charles Henry Hirsch. The story bears traces of the Bertold Brecht-Weill piece The Threepenny Opera, with heroine Lilac (Marcelle Romeo) consorting with the criminal scum of Paris. Lilac falls in love with a handsome detective (Andre Luguet), but he doesn't let his emotions stand in the way of his duty, and in the end he reluctantly turns her over to the authorities. At $120,000, Coeur de Lilas was one of the most expensive movies to come out of France in 1931, but it more than made back its cost at the box-office.

In order not to compromise the great music hall star with whom he spent the night, a man is accused of a murder he did not commit.

Captain Benoît manages to take possession of the plans of a new German airplane. The German counter-espionage assigns one of their agents, beautiful Erna Fiedler, to seduce Benoît and to eliminate him. But the two spies fall in love.

Comte de Larzac, an aging seducer, leaves Paris for Lannemezan. Accompanied by his friend Charmeuil, he goes there to acknowledge the paternity of Jean, a twenty-year old young man who knows nothing about his biological father. Jean, after falling for Jeanne, the daughter of a farmer, now courts Georgina, a middle-class woman of Romanian origin. After Father Jocasse has told Jean that he is Comte de Larzac's son, the young man follows his father to Paris. But he finds it hard to comply with the usages of high society and when his father refuses to consent to his marriage with Georgina, he returns to Lannemezan. Georgina is so upset by the count's refusal that she comes to see him and tells him very candidly about her past life. Moved by her plea, de Larzac drives her back to Lannemezan so that she can marry Jean. What was not expected is that, during the trip, they discover they are close to each other.

Koenigsmark is a 1935 British-French drama film directed by Maurice Tourneur and starring Elissa Landi, John Lodge and Pierre Fresnay. The film is based on the novel Koenigsmark by Pierre Benoît. It's sets were designed by the art director Lucien Aguettand. The film was known in the United States as Crimson Dynasty.

Two modest young employees, Jean and Madeleine, dream of leading the way, but the experience turns out badly. Madeleine marries a German aristocrat who turns out to be a spy, and finds Jean who had joined the Legion.

The woman thief evades a young lady who is onto his game, but then tries his wiles elsewhere on a married woman by attempting to compromise and ruin the husband she is happy with.

Mr. and Mrs. Noblet run a boarding house on the French Riviera. One day, they are led by circumstances to welcome a little boy Pierre, whose father is in jail, into their home. Which makes Louise Noblet all the happier as she can't have children herself. But, after a while, Pierre's father is released from prison and reclaims his son... Time passes and Pierre, now a young adult, lives in Paris more or less on the wrong side of the law. He has a mistress, Nelly, who does not say no to other men's money... Louise, who still loves Pierre as her own son, wants only one thing - to help him get by.

After serving in the trenches of World War I, Jean Diaz recoils with such horror that he renounces love and personal pleasure to immerse himself in scientific research, seeking a machine to prevent war. He thinks he has succeeded, but the government subverts his discovery, and Europe slides with seeming inevitability toward World War II. In desperation, Diaz summons the ghosts of the war dead from the graves and fields of France to give silent, accusing protest.

In a maternity hospital, young single mothers are accompanied by social worker Hélène Lambert, who tries to make them aware of their new responsibilities, while Dr. Baurain stresses the importance of their moral and sexual education. They come to the aid of several young women: one who would like to give up her child to a couple applying for adoption, another who, after the death of her first baby in dramatic circumstances, is expecting a second, and many others.

Valuable documents have been stolen from a British laboratory. Slim Callaghan is sent to investigate the theft. But his tracks soon lead him to the welcoming skies of the Côte d'Azur. There, he decides to infiltrate a network of aristocratic spies.