When a significant quantity of valuable gemstones is to be transported to South America by plane, those responsible are naturally extremely nervous. Everything must be perfectly planned, every possible risk averted.

The delightful Johann Strauss comic opera Die Fledermaus was mercilessly lampooned in this truly bizarre production. For starters, a framing device has been added: After appearing in 300 consecutive appearances of Fledermaus (which translates as The Bat) the lead tenor (Georg Alexander) imagines that he's seeing bats everywhere. Driven a bit over the edge by all this, he falls asleep and has a nightmare about the opera, with a group of non-singers cast in the leading roles. The original libretto about romantic assignations, political imprisonments and mistaken identity is burlesqued to the hilt: at one point, the hero finds out that his prison cell is surrounded by rubber tubes!

Sergeant Hans Albers, the terror of Chicago gangsters, is transferred South of the border to deal with bandidos.

Russia, 1917. Revolution is in the air. The Sevastopol anchors In Saint Petersburg. The sailors are thirsty for women and celebration. The ship becomes a dancehall. Bloodbath, pillage and kidnapping follows. A Nazi/Germany propaganda film.

Peter Korff isn't a famous actor yet, but he is young, handsome, adventurous – and once again hopelessly in love. The object of his affection is named Erika and works as a model at the fashion salon "Yvette." Although the pretty young woman claims to be just as in love with Peter as he is with her, she's always up for a little fling behind his back.

Séraphine and her mother arrive in Paris to visit the 1867 World Exhibition. In an overcrowded city they must be accommodated in separate hotels. During the night the mother, who wasn't feeling very well, gets suddenly worse. When next morning Séraphine goes to meet her every trace of her presence has disappeared and everybody denies having ever met her. The bewildered young woman must find someone who believes her. Previous version of So Long at the Fair (1950).

Walter Gruber once belonged to a group of unscrupulous, money-grubbing poachers. Now released from prison, he is determined never to touch a gun again. He was imprisoned for poaching, but they couldn't prove he fired the shot that wounded forester Kuhnert. Upon his return home, Walter is horrified to discover that his former lover, Kuhnert's daughter Grete, has since married someone else. Grete still loves Walter, with whom she was pregnant. But her father would have made life a living hell for her and the child had she not married another man. This man, Robert Thiele, is still poaching and is extremely ruthless in his methods. Robert eventually blackmails Walter into rejoining the poachers. When the gang shoots the old forester Kuhnert, Robert shifts suspicion onto Walter.

Celia Lövengaart was formerly involved with the theatre and was able to live a carefree life. But now she's in financial difficulties. The court appointed trustee grants her enough money for a trip to Tirol, where she's going to visit her daughter Susanne, who was raised by her grandparents. Susanne is supposed to marry Richard, whom she can't stand and her mother tolerates him even less. Celia wants to help her daughter, but that's easier said than done: Richard knows about her lively past and is blackmailing her to keep her nose out of his affairs. If she doesn't agree to this wedding, he'll tell everything the consul Hoyermann, Susanme's guardian, and there will be a big stink.

No synopsis available yet.

Heinz Rühmann plays the "model husband" who, when his bored wife threatens to leave him, embarks on an adventurous night.

No synopsis available yet.

The moral is simple: keep your mouth shut, especially when you're working during the wartime in a factory, which produces racing cars only, or someone can (or even must) get murdered. Not a good movie, not a bad either. The ending is abrupt and artificial, which seems to be a common plague of Third Reich's crime movies. Gustav Fröhlich could never get rid of his silent era mannerisms and overacting. But on the other side, this film is not boring and has to offer some decent plot turns and acting.

When Bartos, the director of the Odeon variety theater, cancels an artist at short notice, he hires the Terrys out of necessity, whose parents were successful variety artists, but who had not yet received an engagement themselves. Both are supported by Tobs, a friend of their parents. While blonde Mara Terry arrives punctually for the first rehearsal, her dark-haired sister Kora is late like a diva and acts aloof and snippy. At their first performance together the next day, Kora is overtired from partying the night before. During a dangerous act in which she has to balance her upside-down sister on her head, she becomes careless...

Successful playwright goes undercover to get new material and finds romance.

Ten years ago, the "Andree case" was seemingly solved. Now criminal investigator Husfeld is to reopen it, as doubts have arisen about the guilt of Helga Andree, who was convicted at the time. She is said to have pushed her former rival, the singer Elinor Gyldenborg, off the roof garden and killed her. Husfeld seeks advice from his friend, the writer Volkmar Hollberg. He turns the case into a radio play, which is broadcast on the radio under the title The Jump from the Roof Garden. The broadcast brings back memories of the night of the crime for those present at the time...

Biopic about the Rothschilds, a Jewish family whose members rose to the top of the European banking community during the Napoleonic era.

Peter, Paul, and Heinz have been best friends since early childhood; the first two are treated almost like Heinz's own children by his parents, Mr. and Mrs. Liebitz. One day, a terrible accident occurs during a regatta: Heinz falls into the water and drowns. Despite this horrific event, the bond between Mr. and Mrs. Liebitz and Paul and Peter only intensifies. The elder Liebitz owns a musical instrument manufacturing business, and since Heinz will no longer be able to take over the company as originally planned, Franz Liebitz comes up with the idea that Peter and Paul should run the business instead. The two young men receive training in instrument making, but they don't want to become dependent on him and decide to earn their living by repairing instruments and/or as music teachers.

Three soldiers on very short home leave visit Berlin. One isn't from there and runs around with his guide book being perplexed by all the things that are different now. Another visits his wife and his baby. The third enters a romance due to a mistaken identity.

The daydreaming tailor Wenzel is fired from his job, because the fancy frock he was supposed to cut for the mayor, he instead made for himself. He is allowed, however, to take the frock, which he appropriated for himself and he puts it on as he leaves the shop. A puppeteer picks him up in his coach and addresses Wenzel as "Count". So is he received in Goldach, where people think he is Count Stroganoff, the ambassador to the Czar of Russia.

It's bowling night again in Dingelfingen am Rhein. Hotel owner Kiesewitz has set a new record in bowling and is crowned the winner. Now he is to represent the club at the Oktoberfest in Munich. But at home he makes life difficult for everyone, especially his wife and his two daughters.