Yeh Jo Hai Zindagi was a popular comedy sitcom on Indian television, aired for the first time in 1984. It was written by comedy writer Sharad Joshi and directed by Kundan Shah, S. S. Oberoi and Raman Kumar. It was one of the first sitcoms and one of the biggest hit shows on Indian television after the state owned television, Doordarshan, started sponsoring its programs. The episodes revolved around funny happenings in the lives of Ranjit Verma and Renu Verma, who play a married couple along with Renu's unmarried and unemployed younger brother Raja and then Chachi's daughter who plays the character of Rashmi. Other characters were Ranjit's boss, his Bengali neighbours.

Complicated marriages, digital romances, domestic dilemmas and schoolyard bullies get the spotlight in these seven, slice-of-life short films.

An ambitious Indian driver uses his wit and cunning to escape from poverty and rise to the top. An epic journey based on the New York Times bestseller.

Following the roguish terrorist attacks at Uri Army Base camp in Kashmir, India takes the fight to the enemy, in its most successful covert operation till date with one and only one objective of avenging their fallen heroes.

After an accident during border duty, General Vikramjeet Ranaut settles down for a quiet and happy life with his family in his ancestral home. When his estranged brother and sister-in-law return after 8 years, things spiral out of control.

A couple elopes to get married and set up home hoping that just love will do the trick - but that's just the beginning of their story.

An unconventional woman, gains immense success in her professional life but things take a turn when she meets a guy, who wants to be a house husband.

A woman, depressed that she is unable to bear children, abducts a child, and wants to keep him for her own. The child belongs to a large family consisting of 11 other children.

Seth Dhanpath Rai (Sanjeev Kumar) is the country's most powerful smuggler who is surrounded by his fortress of power and money. Then one fine day, his daughter Sonia (Poonam Dhillon) falls in love with Ravi Malhotra (Shashi Kapoor), a police officer and wants to marry him. Dhanpath Rai very soon realizes that his son Vicky (Randhir Kapoor) has also taken a path that goes against the one he travels. Vicky has been engaged with a pretty but poor girl (Swaroop Sampat). Now the question begins to haunt Seth Dhanpat rai - "What is more important? His children's happiness or what he is, i.e. power and money.". Dhanpath Rai's question is answered soon. At the end Seth Dhanpath Rai finds true wealth in his life.

An impoverished employee tries to prevent his superiors and employers from marrying his sweetheart.

Sunny, a fashion photographer, gets embroiled in an unnecessary controversy when two of his model friends are murdered. When his girlfriend is made the next target, he strives to save her.

Ravi Shankar lives in a shabby hotel room belonging to the owner of the Hotel "Allah Belli", Sheikhu Dada. Ravi studies in college and pays his rent and living expenses through money-orders sent to him from his dad. Ravi's devotion to the illiterate Shaikhoo Dada borders on worship, which doesn't sit well with his wife or her father, wealthy tycoon Seth Jaghannadh. When Seth drives a wedge between Ravi and Dada, Ravi risks everything to make things right.

A poor and wronged woman's son returns from the big city to avenge his father, a honest school teacher.

Rai Bahadur is a very rich man. Neeta, his daughter, elopes with a taxi driver who later is revealed that wanted her only for her money. Desperate, Neeta commits suicide, abandoning her little daughter to Rai Bahadur's arms to raise her. When young Pinky grows up and also falls in love with the taxi driver Govinda, Rai Bahadur, afraid that the same misfortune will now plight his grandaughter, tries to seperate them. But Pinky's father will return from the shadows to claim what is his.

Manisha is in a live in relationship with a married man Prakash. However, she does not want to break Prakash's marriage with Anuradha. Anuradha also finds her marriage unhappy. Prakash wants both, his marriage and relationship with Manisha. The fourth angle of this triangle is the tussle between tradition and free will, which stops individuals to do what they actually want.