A nurse is framed for medical malpractice. In prison she meets the boss of their cell who is in for a crime of passion. They both have a reason to escape... revenge.

Three sisters live alienated existences in modern day Tokyo. One works as a secretary, one is a prostitute, and one is a criminal. The secretary is cynically unhappy with the sexist business world which limits her opportunities for advancement and makes her a target for her lecherous boss. The prostitute lives an aimless life, drifting between men, and often the target of either police or jealous wives. The criminal, who lives by disrupting the society which oppresses her two sisters, is the only happy one of the three.

Yuki returns to her hometown after several years. She has been away ever since the tragic events surrounding her abusive older husband. While in town she barely escapes the sexual advances of an old friend and accidentally comes across a scene that repels and excites her. Through an open doorway she spies a woman bound with rope. Thus begins her descent into the world of submission and pleasure.

"Jealous" man-killer Mayumi (Hitomi Kozue) is sent back into solitary confinement after being re-arrested for the murder of the doctor who fingered her for a botched surgery. After emerging from solitary confinement to find an all-new gang of bullies picking on a meek, young female prisoner, Mayumi is now a much harder soul who takes no attitude from anyone, and she turns savage when the poor girl is enslaved by Yakuza.

Shizuka is the aristocratic wife of the president of a large company. When she wants to divorce her domineering husband, he orders his employee Yoshi, the son of an adult toy store owner, to train his wife to become sexually submissive.

Two restaurant employees begin a sexual killing spree after they accidentally kill a hitch hiker and find that murder and mutilation is their mutual aphrodisiac.

Scantily clad female warriors battle thieves to save a small village. Director Yasuharu Hasebe crossed the Seven Samurai legends of Shichinin No Samurai with his own popular Naraneko Rokku series and dressed it up with some of the most popular softcore pinup queens of the day.

The second work in the “Tokyo Emmanuelle” series. Emmanuelle teaches sex techniques privately to a beautiful girl with sex phobia.

A high school girl has a secret crush on her older cousin. When he has an accident mountain climbing she decides to give herself to him. He roughly tries to take advantage of her pure love and she runs away. Later she discovers that an older woman has been paying him for his intimate attentions.

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Roman Porno from 1972.

Kiyomi, a popular hostess at a bar in Shinjuku, has a traumatic childhood that makes her only sensitive to sexual intercourse with women. One day, the girl she loved as a junior hostess betrayed her and slept with her man. Uncomfortable with men, Kiyomi "swaps places" during sex with her new girlfriend, a trans woman Kaoru.

The sixth year of Hōei. In the sixth year of the reign of Tokugawa Ienobu (Hiroyuki Mikawa), the sixth shogun, Kayo (Yumi Nakano), a maid in the O-oku (inner sanctum) of Edo Castle, was beaten. The incident is buried in the dark, and the closet where Kayo was beaten becomes an "unopened room. One day, after four years had passed, Echizen no Mori (Toshihiko Oda), on a hawking trip with Ienobu, presented Ienobu with a beautiful tattoo of Oma (Maya Kitami) on his back. Ienobu is overjoyed and becomes completely captivated by O-Man's body...

A young boy’s dream of a woman is entrusted to the love of a flower. When that beautiful flower withers and the boy discovers the ugliness of women’s true nature, he vows revenge.

The twelfth shogun, Ieyoshi, embraces Oruri day and night under the care of Fujioka, a guest attendant at the O-oku. However, Fujioka's senior, Kumoi, who recommends Oseki to him, is not amused at all. The scene between Fujioka and Kumoi was symbolic of the battle between women in the O-oku. Fujioka hears from Orui that she is pregnant and rejoices that she has nothing to fear if she bears the Shogun's child. Meanwhile, Kumoi comforts Bure, who is a lesbian, and asks Oseki to help her get a call from the shogun.

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Osono and Eisuke would like to get married but with her up to her neck in debt due to her late father's illness and him trying to raise the funds to start a business, they can't afford to do so. Osono agrees to work as a geisha and eventually is tricked into becoming a businessman's mistress, all because she wants to help her lover. The businessman, in turn, is actually only interested in training her so he can hand her over to a palace official in exchange for a trade agreement...

Yukichi Asano and Kiriko, his wife, love each other very deeply and are completely happy in their cozy, little flat. Then Yukichi discovers that Kiriko had once worked in a blue film, a thing unthinkable to a man like Yukichi and his love turns into burning hate and jealousy. He burns the film and tries to forgive his wife's unfortunate past but Kiriko suffers a thousand deaths for she had actually worked in four more blue films.

No synopsis available yet.

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